Dear farmers of Talhar, How do you feel when you see a gold expanse of grain Against the silhouette of the sky? You work day in and day out Yet you don’t get get your due, No recognition from mainstream media, No visits from officials posing for camera You sow seeds Of life, wisdom and sugarcane And you reap stones Of stratification, status quo and destiny. The culprits are ignorant urbanes like me Who live in houses made with coffered ceilings Want to grow flowers and shrubs in their backyard But don’t want to step out of that backyard To hold that flower in their palm, Take in its magnificence, And let its aroma beguile their senses In an old village. My mother lived in our ancestral village: Talhar During the four initial years of her marriage, She would speak of living in houses made of mud, Using cow dung as fuel, Sitting together with fellow women in courtyard, Swinging back and forth in seats suspended by ropes, Moulding clay to make earthenware pots, jars or vessels, Reading stories of Akbar Badshah and Birbal - Without rancour, without any malice. I visited our ancestral village first time After my mom's death, The vast, yellow beds of sunflowers, Women ploughing the seeds alongside men, Children helping their fathers in chafing the wheat, Made me see nature as the biggest equaliser of nature. I looked at sunflower seeds, Felt the urge to pluck one seed out after another, Collect them, And give them to each farmer, To help them repay the debts owed to landowners, But I knew they would stop me, As their village was the paradise Where caregivers would lead the cattle. Whether it's the wave crests Or the cascading waterfalls, I saw beauty in all its glory at the village. Lofty brown mountains -- Hidden amid a beautiful mess -- Would open a cave to collect coins for laborers' survival. Pockets of green would expand their size. Rich meadow pastures would open more treasures. When a laborers’ child played hide and seek, He would randomly find thistles and flowers. And his mother would call these little miracles. Everything was on auto-pilot here. Dwellers as well as nature. But above all, Farmers had a voice here. Fizza Abbas is a Freelance Content Writer based in Karachi, Pakistan. She is fond of poetry and music. Her works have been published on quite a few platforms including Poetry Village and Poetry Pacific.
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