HUNGER Hunger: Running naked, to the bakery shop On the roadside, at the intersection, Mom’s food is a distant dream, And the money in the pocket is valueless. Hunger: Just not limited to Beggars queued in front of the temple, On near the traffic signal It’s in the eyes of the child Staring from the mother's shoulder cloth bag. Hunger: Was crossing road when the signal turned green- Through the eyes of a corporate mother, She had left home in the morning A child's emotional cry And in the solace of the baby-sitter. Hunger: It also reaches abroad In the educated son's suitcase This shop to that restaurant Back like an empty pocket- Grossly disappointed! Hunger: Laughs out loud, Earth trembles, showing her big belly Money, wealth, all these are worthless Filling a hungry stomach Is truly the glory of greatness. Hunger: Exists everywhere Hidden, yet can be felt Like the presence of an invisible enemy. When hunger strikes There’s no religion or race No wrong or right Hunger teaches man What humanity is! This poem was originally written by me in Odia (Oriya) and titled “BHOKA” and published in an online newspaper. HUNGER DURING COVID-19 Hunger came, Unnoticed, sneaking covertly. Bigger than The virus scare Spreading its wings. Injuring many lives, Puncturing every segment of the livelihood Preying on tender lives more often Took away all the new possibilities along. As they say, "Difficulty comes with kith and kin." True to the proverb, Came along cyclones and locusts. Hunger is often accompanied by Blasé towards the hungry and deprived By the so-called elite mindset. Whom neither the picture of the dead dog eater Nor the dustbin digger, deterred. Will a new day come? When every heart will ache For hunger attack Every eye will open to the injustice Every hand will reach out to the needy. A hungerless new world will be smiling. This poem is awaiting publication in an anthology titled “Unlocking Hopes”. Minati Pradhan writes poems, short stories and essays in English and Odia languages. Her interest areas include nature, gender equality, women’s empowerment, education, social justice and spirituality. Her poetic insights are thought-provoking and compel the readers to take a new perspective. Two of her books- collections of poems, have been published. She has co-authoured two books of essays and one each of stories and poems. Her poems, short stories and essays have been published in many magazines and newspapers. She has presented her essays, research papers and poems in various seminars and workshops. She is also a certified counsellor who specialises in guiding the parents of differently-abled children.
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The Beggar A sharp wind makes me pull down my hat, tighten my coat. "Bloody freezing, innit." He has no gloves. His blue swollen fingers barely close around the cup which rattles in response to the few coins I let drop. "Thanks, mate." He huddles a little deeper into the recess by the bank’s cash machine. "They should move them on. Bring the neighbourhood down." I turn. The owner of the complaint is tall, blonde, sheep-skinned, with tell-tale signs of trying to stem the tide of aging. I suddenly feel guilty by association. Because I gave him so little? Because I gave at all? Because I smiled at her? We Didn’t Know We Were Poor Sometimes we went hungry, but not much. Mother made dandelion salad and stingy- nettle soup. Potatoes and carrots in water with salt. Mother had been on the train again to visit farmer Ruttenberger. Left our last silver flatware with his wife. Brought back a big sack of rye. Can see her still, her too large dress, her apron, the coffee machine between her thighs, milling. Everyone was the same. You don’t notice if you have nothing to compare yourself to. My scary aunt with the deep voice and a wart on her chin would send us into the woods: ‘Don’t you go eating the blueberries now. Bring them home, you hear? I need them for jam making.’ There was a place near the brook, where the world smelled of woodruff and ceps, where bluebells announced our indelicate approach. Getting back empty-handed, round-eyed and honest-to-god we hadn’t found even one, my aunt wiped blue-purple stains from our guilty faces while winking at my mother. My uncle is looking for his cat with a darkening face. ‘I’ll find out who ate her!’ When I was Six I remember the smell of earth after summer rain, the high grass hiding me. It tickled, pinched and stung. I followed the activities of beetles, caterpillars and assorted small life. Rolled myself packages of sorrel; chewing them despite the acid was the challenge. Being hungry helped. The lark slowly climbed into blue. Became a small black dot, trilling ecstatically. My summer vision was framed by green stalks of long grasses and their seeds. Standing on a milestone I saw the fields covered in shimmering heat, warping invisible air. Cornflowers and poppies between sandy-yellow wheat. There would be a good harvest. Yes, even then I knew about harvests, watched the sweating man and their flails. Sometimes I’d take home a pocket-full of grains. Mother wiped my face, hands, knees. My feet permanently calloused. The grains ground in the coffee mill held firm between mother’s legs. That last summer before next May when strange men came in planes, tanks, and jeeps, I watched André riding the brown back, his face lit by the evening sun, watched the oxen pulling carts, watched the plow grooving black furrows for the autumn field, watched the swarms of mosquitoes dance over the stagnant pond and fell in love. Rose Mary Boehm is a German-born British national living and writing in Lima, Peru, and author of two novels as well as seven poetry collections. Her poetry has been published widely in mostly US poetry reviews (online and print). She was twice nominated for a ‘Pushcart’, once for ‘Best of Net’. www.rose-mary-boehm-poet.com POT BELLY Hope of an empty tomorrow sounds many roars through the weak walls of an ailing belly suffering from malnourished protrusion of that abandoned boy absorbing the jabs of starvation — walking barefooted in the deep valley of hunger while his lower jaw hangs low, yet uncertainty beckons nearer by the hour of the clock. Ragged in his coat of many worries as he carries his funeral on his head, searching ultimately for where to dig a hole in the earth and hide his shame from the eyes of the day's light. For darkness hurls him along the track of misery with song sung in his mother tongue — perturbed by the dialect of strings of a heartbeat unable to hold the tension — of a frustrated voice. Jumping over the fire he leaped above the pot belly bridging the gap between groans of not having and wishing for having bread from the baked loaves of food poisoning. Thirsty & weary: he tried drawing water from the dried well of tears — brimmed over with agony, yet he draws… emptiness instead: bucket full of nothingness, he counts 24 of his bare rib cage. Labeling each as he feels the breath of hunger on his shoulder -- the stench of political corruption fouling his state of being -- violating his human rights and seizing his smuggled pot of beans he made away with when the Watcher wasn't watching. BIO
Uchechukwu Onyedikam is a Nigerian creative artist based in Lagos, Nigeria. His poems have appeared in Amsterdam Quarterly, Brittle Paper, Poetic Africa, Hood Communists and in print anthologies. Christina Chin and he have co-published Pouring Light on the Hills (2022); and forthcoming release: CLOUDS OF PINK. Twitter: @MysticPoet_ |
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