Birds of Paradise Maeve pecked at dysentery and cholera while Netty sang softly to the earthly bodies and stark moon children among the dung and grass fires nested on smoked fields She didn’t care that Netty called herself nurse as long as she could do a decent bandage in shimmering heat as an endless line shuffled passed the committee of soldiers in ball caps their curved beaks circling over the dying A better place Netty overheard and All the food you can eat as a laying-on of hands began and a clutch of children grew larger The world needs to know mother Netty chirped as Maeve her shift feathered red finished the suture of a women’s stump-leg in the back of a pick-up truck ~ The reporter behind the sand bagged wall tapped hawkishly on his notepad then stared at it with his head cocked and did another flourish when he noticed a woman hovering nearby She stepped closer her hands flapping in front giving flight to words that fell in tears of dust After struggling with music, Inman began writing to deal with the rhythms in his head. His teacher eventually suggested poetry to “get that flowery shit” out of his work. An American war resister who had studied at U of T during the tail end of the Frye/McLuhan era, she loved holding class in museums where she’d talk about Impressionism and working-class life in landscape. “You should write like that in your blue collar style,” she said, pointing at peasants gleaning fields in a mountain's shadow. Inman has six books of poetry. His latest are The War Poems: Screaming at Heaven, SEAsia (pronounced Seize-ya) and The Way History Dries, all from Black Moss Press. His books tend to work like novels. His themes link character to landscape.
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