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Hunger: A Tritina darkness threads the sky wild with the throb of hunger the tsunami of broken hope children flail for a cord of hope tossed from the looming sky then fall into wells of hunger they are well versed in hunger their voices low with hope pleading for bread from the sky the sky roars with hunger, shattered by hope Gaza Haiku In Gaza’s lean sky moon bares its slim-edged crescent curved blade of famine hours before iftar children gather in flapping tents singing for water our tables weighted food a shameful privilege we quietly fast Flour Massacre it’s the way crimson blooms across sacks of flour like springtime poppies stripped from their stems buds crushed in storm’s wild onslaught no chance to open or the way bullets pierce skulls charting places of entry and sometimes exit though for Gazans there is of course no exit or the way carmine tracks across white shrouds map the winding cloth in a grim atlas of despair like the haze of flour spilled from ripped sacks clogging the wounds of those who crawled through dirt trembling with hunger ribs etched through skin in stark precision not unlike the exactness snipers bring to their task as they aim carefully bullets penetrating the bodies of those desperate to feed their children a handful of something that will not poison or sicken them something to keep them alive a little longer to push back famine a day and another and perhaps even another until the world decides to make the siege end so that flour becomes an ordinary part of life again dough kneaded with firm hands placed carefully in an oven hot with hope rich with the odor of baking not this dust shrouding trucks stacked deep with the wounded and the dead this despoiled sustenance of stolen life but rather something simple dependable unremarkable daily bread for daily hunger “Flour Massacre” first appeared in Black Warrior Review. THEME: Hunger in Gaza Lisa Suhair Majaj is a Palestinian American writer living in Cyprus. She is the author of the award-winning collection Geographies of Light (Del Sol Press) and of the forthcoming poetry volume Why Doesn't the Sky Love Us? Her poetry has been translated into eight languages, mostly recently Korean. Her poems were displayed in the 2016 exhibition Aftermath: The Fallout of War—America and the Middle East (Harn Museum of Art).
1 Comment
Chivas Sandage
11/3/2025 02:07:49 pm
I have such deep respect for your work & for Poetry X Hunger! I've now read & reread these powerful, devastating poems. I wanted to quote "Flour Massacre" but that would require breaking it into parts and each part is essential & woven into the next... It's both swift & slow. Relentless as the massacres...
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