Hunger Certainly, it’s everywhere, right? All over the world? Yes, someway or the other. I read a report about it. I saw it in the street today. Oh! I met it last year while travelling. I saw the eyes filled with it. I watched a documentary last week. Does it quench? It depends on gnawing a hundred holes. Was it in the past? Yes, of course. Though things were different, so what? Though you distance yourself, you ignore it, you overlook it, you avoid it somehow. Yet, it remains at the corner of your heart, in the prick of your heart, in your searching eyes, in the crevices of your brain. Reflected in anger, frustration, impatience, shrieks, stress, sentences, sights, rights. Sometimes in silence, sometimes out of sight. Condemned to live by comrades of dying. At times it becomes unpronounceable. What else? Suppose we are able to measure it, then what? Escaped to be entrapped. In any case, shot in war. Faces, could you recognise any? Carrying continuously, from here to there. Keep a low-pressure area on the surface life. Can it be divided? Licking the pavements, swallowing the insults, digesting the injustices, biting the bitten heart. Leaving nothing for the vulture, nothing to be eaten, except plastic. On the other hand, the world goes by and we move on. Published in The Poetry Lighthouse. ![]() Pulkita Anand is an avid reader of poetry. Author of two children’s e-books, her recent eco-poetry collection is 'we were not born to be erased'. Various publications include: Tint Journal, Poetry Xhunger, Origami Press, New Verse News, Green Verse: An anthology of poems for our planet (Saraband Publication), Comparative Women, Origami Press, Asiatic, Inanna Publication, Bronze Bird Books, SAGE Magazine, The Sunlight Press and elsewhere.
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This road This road buried the living hunger. This road has the tyrannical sucking blood of the native This road was filled with carcasses. This road heard her pleading cries. This road carries the waft of murder. This road had the track of musk deer. This road has a different grammar, different character, different syntax, and different poetry. Sleep wanted to dive into those innocent, hungry eyes; they Can bite this cinder of hungry Hunger that remained long in her dying eyes Paid more than the borrowed sum Face covered with ashen policies and plans The turn of the road is where their houses conjoined the dancing flames. Here the white vultures feasted on the sweat and toil of deer. Here once the old lions tore the flesh of the souls. Here their hands designed the structure after structure. Here they divided them into parties, sects, ideologies, beliefs, and preached pieces. The ditch is where they learned to say yes. Oh! Hunger, have some patience; they will be exiled soon. Crying I heard the familiar cry calling Sound is similar in Asia, Africa, Australia Gaza, Nigeria, Russia, Ukraine, …… I wanted to write A for apple, but what it’s H For hunger That familiar crying child disturbs me Day and night That orphan on the railway station Circling his dead, starved mother To wake up Though she has left some Hunger for him to feed on Click to hear the poet read the poem. ![]() Pulkita Anand is an avid reader of poetry. She has translated one short story collection, “Tribal Tales from Jhabua”. Author of two children’s e-books, her eco-poetry collection is we were not born to be erased. Her creative works have been published in: Shortstory Kids, Twist and Twain, Tint Journal, Lapis Lazuli, The Creativity Webzine, Winc Magazine (Issue 1, 2, 5 &7), Stanza Cannon, Superpresent, Madwomen in the Attic, Poetica#11 &12, NCTE, The Uglywriters, Impspired (online &print issue) redsoethorns Journal (online) and magazine, Kritya, The Amazine, Carmina Magazine, Origami Press, Asiatic, Inanna Publication, Bronze Bird Books, New Verse News, Hakara Journal, Madras Courier, Convergence anthology (selected), MAI and elsewhere. |
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