I Am Not Afraid Of You I am no longer afraid of you, Dear hunger. I am not afraid of your pain. I am not afraid of your sting. I am not afraid of your stare. I am not afraid of your footsteps. I am not afraid of your looming presence. I am not afraid of the fear that comes with you. I am a gold in the making, I am not afraid of the fires. I am a house full of treasures, I have all it takes to become great. I am a man full of potentials, I have all it takes to prosper. Your sting is just for a while, Your pain is only for a while, Your presence is for a while. I will rise above all hunger. I will rise above all pain. I will rise above all menacing atmospheres. I will rise above all enemies of creativity. I will rise above all enemies of the truth. I will rise above all enemies of joy. I might be hungry, But still, I am a full human being. I might be hungry, But still, I have a story to tell. I might be hungry, But still, the world is waiting to hear my voice. I might be hungry, But still, I am not going to hate myself. I might be hungry, But still, my creativity is still intact. I might be hungry, But still, I am writing this poem. I might be hungry, But still, the universe will read this poem. I might be hungry, But still, the gates of ignorance will be smashed down. I might be hungry, But still, I am going to wake up each morning, Wash my face, Take a bath, And occupy my space with all boldness. I might be hungry, But still, I have a story to tell. ![]() Born in Nigeria in 1997. First work of fiction and poetry will be appearing in The Kalahari Review and Writers' Journal - Live & Learn by September and December 2024.
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Hermit Crabs An enforced hermitage: No vows but to try. No conviction but to live. No chosen fast, this hunger, this distance, this fleeing is enforced by exploding shells, and living promise must hide in cellars from the volatile weight of opposing progressions. "Hermit Crabs" speaks of the hunger of people displaced by war. Click to hear the poet read the poem. Love Starts with Bread and Bandages. The street laughs at my cracked and bleeding soles, and that is not how love is supposed to be. The thorn in my side is surrounded by new splinters from cactus fingers and that is not what love is supposed to do to your wounds. The nutrients was expelled along with the poison when my body purged itself, all that is left is that nauseous combination of hunger and exhaustion and that is no foundation for love. "Love Starts with Bread and Bandages" defines feeding people and physical care as the starting place of love. Click to hear the poet read the poem. Window Shopping Each and every story recites beads of neglect and abuse threaded with the hair-thin string of fragile breath. a twisting of the will, a burnt hair smell, a repeated jolting of already-fractured limbs, a rubbing of the eyes with sand covered fingertips. The hands that feed often become fists that beat, and palms that smother screams. If you want to help you cannot bemoan the teeth. The papers paint them plastic, keeping us blind to the cold side of display windows where security means being free from alarms and able to sleep a night without the disturbing displacement of officers of arbitrary enforcement. "Window Shopping" appeared in my debut collection "An Array of Vapour", and mentions how, if we want to feed people or help them in other ways, we need to understand who those people are and their vulnerabilities. Click to hear the poet read the poem. ![]() Peter Lilly is a British Poet who grew up in Gloucester before spending eight years in London studying theology and working with the homeless. He now lives in the South of France with his wife and son, where he concentrates on writing, teaching English, and community building. His debut Collection 'An Array of Vapour’ is available with TSL publications, and his second collection 'A Handful of Prayers' is forthcoming with Wipf & Stock. Generous Munchkins In a humble home so bare, Children had but crumbs to share. A beggar came with tearful plea, Unaware of their scarcity. "Take our bread," the children said, "God loves those who give," they pled. Hunger stayed, but hearts were bright, Their kindness shone in darkest night. BIO: Tuba is a 20 year old woman from India.
Where No One Counts When will we count the dead in Gaza? Those buried in named graves we know, all the tens of thousands of them, those buried in the rubble, the disappeared with no one left to name them, are still unknown uncounted. Then the other Disappeared, prisoners of war if it were a war, but with only the rights of terrorists who have no rights at all in this unequal conflict that some call ‘war’. And how can we count the injured in Gaza when there are no hospitals left and its people don’t count so no one can count those numbers. and perhaps no one will in a country where people don’t count. Now the starved and starving have joined them, the bags of baby bones the unaccounted numbers of intentional famine in Gaza where still no one counts. First published in New Verse News, April 17, 2024. ![]() Lynn White lives in north Wales. Her work is influenced by issues of social justice and events, places and people she has known or imagined. She is especially interested in exploring the boundaries of dream, fantasy and reality. www.lynnwhitepoetry.blogspot.com and www.facebook.com/Lynn-White-Poetry The Flour Massacre The world closed its eyes the day that flour was airdropped Into a broken city. A child’s dusty hands reach out To a loaded gun. His stomach already knows the bite of hunger. When his father died, he could count through the shroud: 24 ribs. 118 bodies Spilt over flour. If he survives, he will remember the taste Of blood every time he breaks bread. The world turned its back the day that they rolled in on trucks With sacks filled with grain. This is the price of aid. ![]() Nicole is an English poet who predominantly explores themes of meaning, atheism and science in her work. She has been published by The Bookends Review, Poetry Undressed, Cats Bite Back, Prospectus and Sunday Mornings at the River. Life and Breath unblessed street bare feet a fleshless shadow on the alleyway wall deprived degraded benumb inward emptiness longing for a bite even just just a crumb would be enough unblessed street bare feet express less skin and bones weakness endure alone straiten pain depleted veins unblessed street bare feet life and breath under born worth cry snuffed close the eyes wanting to feel alive in a time to survive Sheltering an ear whisper beyond means seemly out just for the hurting skin to the bones knowing to the lone dry eyes not much to see lonely cry within a sigh sheltering endless pain in a plentiful world an ear whisper through the alley ghostly ashes in the trash fingernails scraping in the dumpster for a mouse nibbling in the spoiling sheltering endless pain in a plentiful world an ear whisper a child staring at the chalkboard strain veins breathing weak enduring fatigue wishful for a bellyful sheltering endless pain in a plentiful world an ear whisper outsight in the moonlight dusk in in the footsteps tears in silence darkness settle in of many tells it all written on the wall sheltering endless pain in a plentiful world an ear whisper impose damned bare hand reach out for hand outs belittle muffle face without meaning to what ends sheltering endless pain in a plentiful world why Posted May 16, 2021
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![]() Guy Chambers was born in Edmonton and lives out at North Cooking Lake. He has two books published called Flying Kites in the Moonlight and The Theater. Chambers has been published in many Canadian literary magazines in addition to the USA, New Zealand, and Australia. He also has online publishings that has reached global viewing. Somewhere Else The Birds Are Singing He managed to open the shutters a little way but the gap was smaller than he expected. He eased his head and shoulders inside. The rest of him, his arse and legs, remained outside covered in a blanket then, as dawn broke, covered once more by a blanket of early spring snow. He was hungry. He was always hungry. Somewhere the birds are singing he thought somewhere else the birds are singing. Blighted Once, in Ireland one million died and we’re still counting. One million fled for their lives and we’re still counting. Equivalent to the population of Gaza before starvation ruled the land. Starvation ruled the land in Ireland when the potato crop was blighted. Without potatoes there was no food. Without potatoes there was no money for food. Without money for rent colonial landlords evicted, slave labour of starving men women and children followed the rule through occupation and colonisation. And no help came. No Aid came to help them. And still potatoes were exported. And still the landlords did well. All the colonialists did well. They always do. So Ireland knows how it feels in the depth of its turf, in the depth of its being, its rock, its stones, its bones it knows the story and that change will come with survival first one step at a time and sometimes words and money can effect change as readily as weapons, that time the past shows is the time to make a stand against political manoeuvring against another respected decision un-welcomed again by the most powerful. History shows the time to make a stand. For Ireland knows how lives are blighted. First published in New Verse News, January 2024 ![]() Lynn White lives in north Wales. Her work is influenced by issues of social justice and events, places and people she has known or imagined. She is especially interested in exploring the boundaries of dream, fantasy and reality. She has been nominated for a Pushcart Prize, Best of the Net and a Rhysling Award. www.lynnwhitepoetry.blogspot.com and www.facebook.com/Lynn-White-Poetry War and Hunger You fight a war To be a so-called winner. But, can you free yourself From the clutches of demon hunger? Against the backdrop of Destruction and rubble. The ever-crying hungry eyes Become silent and feeble. War spares no one Affecting everyone Dwellers of the slum Or the owner of a mansion. When natural disasters pay a visit Can you measure its limit? Why create hunger on our own, then In the name of just war, when we're to blame Flexing muscles to show Superiority that's so obscene! Stop this thoughtless act and Fight hunger together for our own good. Make the earth green and hunger-free And ensure every stomach gets food. ***** ![]() Minati Pradhan writes poems, short stories and essays in English and Odia languages. Her interest areas include nature, gender equality, women’s empowerment, education, social justice and spirituality. Her poetic insights are thought-provoking and compel the readers to take a new perspective. Two of her books- collections of poems, have been published. She has co-authoured two books of essays and one of stories and six of poems and co-edited one book of essays. Her poems, short stories and essays have been published in many magazines and newspapers. She has presented her essays, research papers and poems in various seminars and workshops. She is also a certified counsellor who specializes in guiding the parents of differently-abled children. From The Bottom Of My Stomach Each growl is a reminder of the state That the economy is in lately The rent and bills suck up most of the budget Leaving very little change for food As I sit on my couch imagining a bowl of ramen with bok choy I shudder at the prospect of going hungry another day As my hands shake from a lack of fuel On TV, those with privilege lecture us to cut back Yet gorge themselves on overpriced wine and beef I’m sure that my stomach can survive on virtue signalling Hunger solved, amen to the rich and elite, As I search my couch for loose change Praying that I have three dollars To rid me of this stomach pain. Bio: K.G. Munro is a poet and author who has been published in hundreds of journals across eight different countries. She is currently writing a novel and is about to release a poetry book.
Irish Famine Poems I Surmise So far back I can only surmise, of the family who ate their subsistence meal in the parlour on Sundays. I surmise they were not the poorest. Their house – not a sod, scraw and thatch cabin on a roadside margin. I surmise secure tenure of land. They did not, at least not all, leave. I surmise they were people with self-value, respectability, tenacity. I know that they survived. They were my people on the distaff side. In a Fourth Class Dwelling Report by Robert E. Matheson, Registrar General for Ireland. 1841-1901 Housing of the People of Ireland Part 83. 4th Class – Houses built of mud or perishable materials. One room with one, or no window. 3rd Class – A better description of house. From one to four rooms and windows. 2nd Class – A good farmhouse of five to nine rooms and windows. 1st Class – All other houses of a better description than the preceding. 1841. 4 th class houses comprised 37% of the total. 1851. 4 th class houses comprised 13% of the total. The drop was due to ‘failure of the potato crop leading to famine, fever and pestilence’. With sod, scraw and thatch they made the shelter which enveloped them. The cabin rose from the ground around it. When nothing was left but a flicker of life, the family drew together inside, closing the door for decency. Rain, wind and time melted the walls. The roof lowered. The door rotted. The cabin sank to a hummock, to a wide ridge, disappeared from sight. As had the dead from hunger within, of whom all knowledge has gone. BIO:
I come from Co.Limerick, Ireland. I grew up on a farm there. I am a painter, weaver and have written and published poems in recent years. |
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