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The Blue light of Hunger Blue lies hidden wrapped in layers of sky where community gathers. A constancy of call becomes morning offering a familiarity of longing. Shared aloneness, set in silhouette brokered by hummingbird’s flight saturates woodpecker’s echo. In this symphony, silence speaks. She sits in brutality beaten by blistering sun, ghosted and ghastly. Nothing but an old blue comforter between her and the earth’s hard misery, portioned to those placed deeply alone. She sits entirely still, not carried by life nor death, but deranged by a violence no one can name. Set in silhouette, brokered by unseeing eyes mourning calls, hanging onto forgotten elegies, now a distant echo, silenced by the burning sun of hunger. THEME: Childhood Hunger A queer survivor, Jane Grovijahn, needs language to be daily bread. Surrounded by granite and green, she listens to the laughter of trees daily. For her, poetry is a way to rest in beauty while living into possibility.
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Pretend It’s not the color of your skin your look of fear your baby with the sores around her mouth her vacant crusted eyes flies hovering, the sour smell of your breast milk that chokes us. No. We’re tapped out we’ve given all we can what about my own children and saving for retirement? There’s the dentist the insurance, and the cost of food so high. It’s embarrassing when our friends ask where we’re going this year. There’s no money for vacations. See how shabby my coat is. Twenty years we’ve had our car. I gave to the food bank, the fundraiser. There’s no room in my house for you. It’s all we can do to keep ourselves going, what with job cuts coming. It might be me next. What if it’s me next? I have to save. Don’t look at me like that. It will be me next. You won’t be there. There’re be no one to give me a blanket, a place to sleep, to hold me as I cry. Go! I have to get to the store, finish this paperwork, pull weeds, anything but look at you. Pray for me. THEME: Childhood Hunger Margaret O’Donnell is a former immigration attorney in Seattle who continues to represent asylum clients pro bono. Since retiring, she writes plays and recently, poetry about the natural world, the dislocations and pain of human migration, and family connection and disconnection. Her poems are published in Drunken Owl Theatre Anthology (2025), Here Lies Buried Anthology (2026), Western Washington University’s Elder Voices Project Anthology (Fall 2026) and San Pedro River Review (August 2026). |
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